Roger Morris (19 April 1695 – 31 January 1749)[1] was an English architect whose connection with Colen Campbell[2] brought him to the attention of Henry Herbert, 9th Earl of Pembroke, with whom Morris collaborated on a long series of projects.
Born in London, Morris received thorough practical training as a bricklayer, as he was described in 1724, when he built a house for himself on the Harley estate in Oxford Street, London, but by 1730, in a larger house he built for himself in Green Street, he was described in the rates as a 'gentleman'.[3] On his own account he was successfully involved in speculative building in London, which may have supported his position in life.
Professionally his career was closely bound at first with Sir Andrew Fountaine, a virtuoso and amateur architect, at Narford, and then to Colen Campbell, to whom he seems to have acted as assistant, as at Studley Royal in Yorkshire,[4] and Lord Pembroke, one of the 'architect earls'. Lord Pembroke's connoisseurship combined with Morris's practical experience produced Marble Hill House (illustration, above right) for Henrietta Howard, Countess of Suffolk, 1724-29; the White Lodge, Richmond 1727-28;[5] and, after Morris's tour to Italy with George Bubb Dodington (June 1731 - September 1732),[6] the Column of Victory, Blenheim Palace (illustrated, left) for Marlborough's widow, Sarah, Duchess of Marlborough, 1732-33; Wimbledon House, 1732-33, also for the Duchess; the Palladian Bridge, Wilton House, 1736-37; and probably, Howard Colvin suggests, Westcombe House, Blackheath, near London, (ca 1730) which became Pembroke's own.[7] Lord Pembroke presented Morris with a silver cup in 1734 as a token of his regard for him.[8]
Morris's ability and the recommendations of his well-placed patrons secured him a post in the Office of Works, from which all designs for the Crown emanated. The new office of Clerk of the Works at Richmond New Park Lodge was created for him in 1727, when he was engaged in building the structure. In 1734 he succeeded in the post of Master Carpenter to the Office of Ordnance,[9] which was worth £2 or £3000 a year, for works at the Royal Arsenal, Woolwich and elsewhere.[10] He was also appointed Surveyor to the Mint.[11]
John Morris's Palladian villa in town, at 12, Grosvenor Square (1727, for John Aislabie) has been thoroughly dissected by the Survey of London[12] Morris's independent designs are not pale exercises in Palladianism by any means. "His villas, for example, were, and are, strikingly original in contrast to Campbell's," John Harris has observed,[13] "and Carné's Seat at Goodwood characterises the individual style Morris bestowed upon temple buildings." John Harris has demonstrated that Morris made a design for the Porter's Lodge at Wilton House,ca. 1733.[14]